"Wholesale gentrification deadens."
Nov 21, 2009 16:19:22 GMT
Post by bixaorellana on Nov 21, 2009 16:19:22 GMT
Upon opening the online NYTimes this morning, I was struck by the tagline above to an Op-Ed piece.
Too often, city fathers have become convinced that moribund downtowns can be "revitalized" by the addition of brick sidewalks and gaslights. In so many cases, though, the new higher rents and glitzy businesses drive out the shoe stores and barber shops that made the area a living business entity. Either that, or the the newly buffed areas are surrounded by a dead and scary no man's land that won't tempt either suburbanites or out-of-towners.
But it's the removing and replacing that is the most upsetting. I went to Key West in the very early seventies, then again twenty years later. Effectively, Key West wasn't there any more. It had been replaced by the Disney version of a once vital and fascinating place.
Well, read the article and see what you think:
November 21, 2009
Op-Ed Columnist
What Makes Cities Live
By ROGER COHEN
A couple of blocks and your life changes in this city. New York is worldly but fiercely local. Another borough is as remote as another country. Europe, just across the pond, can seem closer than across town.
Not so long ago, my office was moved a couple of blocks, a little west and a little south, from 43rd Street to Renzo Piano’s handsome light-filled building between 40th and 41st Streets. It proved to be a change of worlds.
The former headquarters was trapped in the neon tentacles of Times Square, a once seedy part of town re-imagined as the tourist-filled set for a movie called “New York,” a place where people from out of town loiter six-abreast gazing at the flashing lights while New Yorkers try to dodge the phalanxes of flesh.
The new premises, as I’ve gradually learned, placed us just within the garment district, an area where zoning laws have protected apparel manufacturing space and so held off the developers who would otherwise have turned clothes factories into condos and created yet another gentrified district bereft of seediness, tawdriness, community and that strange high-low alchemy essential to any great city’s mystery and charge.
I’ve come to love the dull, solid mid-rise brick buildings of the garment district, a universe away from the high-rise glass-and-neon of that other country two blocks away where Planet Hollywood and M&M’s World strut their stuff.
It’s wonderful to wander far from the movie theaters (or so it seems) past emporiums of buttons, palaces of thread, empires of zippers, long pink gowns, canary yellow chiffon skirts (on sale for $10), trimmings, lace, beads, ribbons, fake pearls, glittering belts, shoulder pads and ruffles — not to mention “Spandex World,” and “Leather Impact.” Stores have names like “Joyce Button and Trims.” They look like they’ve been there forever, or at least the American version of forever.
The pleasure, I think, comes from the sense of something still purposeful and authentic, woven by the years — a slither of town between 35th and 40th Streets where designers, manufacturers, small retailers, showroom owners and others interact and create, and where money, big money, has not swept all in its path.
The area still has pungency. It has not surrendered to the great anaesthetizing march of modernity. It has not chased its working class to faraway suburbs. It has not become a hollow movie-set version of an authentic place — a “garment district” cleansed to quaintness, shaped for the well-to-do, complete with guides relating the rich history of immigrants and their sewing machines.
Unlike Paris — where the horse butchers and the tripe restaurants and the hammering of artisans and the garlic-whiff of the morning Métro are long gone — New York preserves, in small enclaves, its shabby splendor. Its center, unlike London, has not become a near-exclusive preserve of the super-rich.
No — miracle of miracles — people here still buy and use sewing machines! A million square feet or so are devoted to garment manufacturing. The jobs have not all vanished to Bangladesh.
It’s funny how we crave the authentic, the unspoiled, the genuine — the un-globalized and un-homogenized and un-gentrified — only to destroy them. And then, as if in remorse, attempt to create unthreatening Disney versions of the authentic, the unspoiled and the genuine. It’s funny how the rich, tired of grilled tuna or Chilean sea bass, weary of New York generic (never simmered, always seared), want to eat like the poor, while the poor just want to be rich.
Speaking of food, the move has also brought deliverance from theme restaurants and chains to a garment-district diversity as wondrous as the ostrich feathers and sequined robes in store windows. Let’s face it: Dives are the last redoubt of genuine fare in New York.
I’ve found a Balkan cellar whose cevapcici (grilled lozenges of minced meat) take me back to Sarajevo days; a deli whose tongue sandwiches remind me of the tongue my mother prepared; a Chinese hole-in-the-wall with heartwarming oxtail on rice; and a Szechuan joint whose duck tongues on a bed of scallion, dressed in a scallion pesto, are a little miracle of many-layered succulence — the reddish-brown Szechuan pepper imparting a numbing-tingling heat, the duck tongues crunchy (about the consistency of frogs’ legs) and gelatinous and looking, in the pesto-green sauce, a little like asparagus tips. If you wish, you may follow that with a fish-head (carp) stew in spiced chili broth that’s hot enough to ease your eyes from their sockets.
Two blocks away they’re eating burgers and Bubba Gump shrimp and never dreaming of this other land just around the corner. You don’t have to travel far to change countries; and you can travel across the world and still find yourself in the globalized mall of bright lights, bland foods and brands.
I’m grateful for my New York journeys and for the zoning laws that make them possible. Wholesale gentrification deadens. There’s an untamed thread that binds button stores and stir-fried intestines with chili: They’re genuine. The fight for the genuine in the world’s great cities is also a fight for jobs, workers and creativity.
Too often, city fathers have become convinced that moribund downtowns can be "revitalized" by the addition of brick sidewalks and gaslights. In so many cases, though, the new higher rents and glitzy businesses drive out the shoe stores and barber shops that made the area a living business entity. Either that, or the the newly buffed areas are surrounded by a dead and scary no man's land that won't tempt either suburbanites or out-of-towners.
But it's the removing and replacing that is the most upsetting. I went to Key West in the very early seventies, then again twenty years later. Effectively, Key West wasn't there any more. It had been replaced by the Disney version of a once vital and fascinating place.
Well, read the article and see what you think:
November 21, 2009
Op-Ed Columnist
What Makes Cities Live
By ROGER COHEN
A couple of blocks and your life changes in this city. New York is worldly but fiercely local. Another borough is as remote as another country. Europe, just across the pond, can seem closer than across town.
Not so long ago, my office was moved a couple of blocks, a little west and a little south, from 43rd Street to Renzo Piano’s handsome light-filled building between 40th and 41st Streets. It proved to be a change of worlds.
The former headquarters was trapped in the neon tentacles of Times Square, a once seedy part of town re-imagined as the tourist-filled set for a movie called “New York,” a place where people from out of town loiter six-abreast gazing at the flashing lights while New Yorkers try to dodge the phalanxes of flesh.
The new premises, as I’ve gradually learned, placed us just within the garment district, an area where zoning laws have protected apparel manufacturing space and so held off the developers who would otherwise have turned clothes factories into condos and created yet another gentrified district bereft of seediness, tawdriness, community and that strange high-low alchemy essential to any great city’s mystery and charge.
I’ve come to love the dull, solid mid-rise brick buildings of the garment district, a universe away from the high-rise glass-and-neon of that other country two blocks away where Planet Hollywood and M&M’s World strut their stuff.
It’s wonderful to wander far from the movie theaters (or so it seems) past emporiums of buttons, palaces of thread, empires of zippers, long pink gowns, canary yellow chiffon skirts (on sale for $10), trimmings, lace, beads, ribbons, fake pearls, glittering belts, shoulder pads and ruffles — not to mention “Spandex World,” and “Leather Impact.” Stores have names like “Joyce Button and Trims.” They look like they’ve been there forever, or at least the American version of forever.
The pleasure, I think, comes from the sense of something still purposeful and authentic, woven by the years — a slither of town between 35th and 40th Streets where designers, manufacturers, small retailers, showroom owners and others interact and create, and where money, big money, has not swept all in its path.
The area still has pungency. It has not surrendered to the great anaesthetizing march of modernity. It has not chased its working class to faraway suburbs. It has not become a hollow movie-set version of an authentic place — a “garment district” cleansed to quaintness, shaped for the well-to-do, complete with guides relating the rich history of immigrants and their sewing machines.
Unlike Paris — where the horse butchers and the tripe restaurants and the hammering of artisans and the garlic-whiff of the morning Métro are long gone — New York preserves, in small enclaves, its shabby splendor. Its center, unlike London, has not become a near-exclusive preserve of the super-rich.
No — miracle of miracles — people here still buy and use sewing machines! A million square feet or so are devoted to garment manufacturing. The jobs have not all vanished to Bangladesh.
It’s funny how we crave the authentic, the unspoiled, the genuine — the un-globalized and un-homogenized and un-gentrified — only to destroy them. And then, as if in remorse, attempt to create unthreatening Disney versions of the authentic, the unspoiled and the genuine. It’s funny how the rich, tired of grilled tuna or Chilean sea bass, weary of New York generic (never simmered, always seared), want to eat like the poor, while the poor just want to be rich.
Speaking of food, the move has also brought deliverance from theme restaurants and chains to a garment-district diversity as wondrous as the ostrich feathers and sequined robes in store windows. Let’s face it: Dives are the last redoubt of genuine fare in New York.
I’ve found a Balkan cellar whose cevapcici (grilled lozenges of minced meat) take me back to Sarajevo days; a deli whose tongue sandwiches remind me of the tongue my mother prepared; a Chinese hole-in-the-wall with heartwarming oxtail on rice; and a Szechuan joint whose duck tongues on a bed of scallion, dressed in a scallion pesto, are a little miracle of many-layered succulence — the reddish-brown Szechuan pepper imparting a numbing-tingling heat, the duck tongues crunchy (about the consistency of frogs’ legs) and gelatinous and looking, in the pesto-green sauce, a little like asparagus tips. If you wish, you may follow that with a fish-head (carp) stew in spiced chili broth that’s hot enough to ease your eyes from their sockets.
Two blocks away they’re eating burgers and Bubba Gump shrimp and never dreaming of this other land just around the corner. You don’t have to travel far to change countries; and you can travel across the world and still find yourself in the globalized mall of bright lights, bland foods and brands.
I’m grateful for my New York journeys and for the zoning laws that make them possible. Wholesale gentrification deadens. There’s an untamed thread that binds button stores and stir-fried intestines with chili: They’re genuine. The fight for the genuine in the world’s great cities is also a fight for jobs, workers and creativity.
